For more  news visit  www.bahirbanga.com

 

 

Webletter For News  from Bahirbanga

Vol:II    No. 1      May 1     2006

PRANGSHU-- Literature & Culture of Bahirbanga

Observe

19 May

(The Sourya Divas of Bahirbanga)

In Memory of eleven Bhasha Shahid of Silchar, Assam

 

PRANGSHU's

3rd Sisir Kumar Das Memorial Lecture

on

History of the Writing of History of Indian Literature

by

Prof. Satkari Mukhopadhyay

on Saturday

27 May, 2006

at

Bipin Chandra Pal Memorial Trust

A- Block

Chittaranjan Park

New Delhi 110019

 

 
 

PRANGSHU's

Sixth Bahirbanga Utsav

2 & 3 December, 2006

at New Delhi

Focus :

Magazines from Bahirbanga

 

 

Let's Know Ourselves, Let Others Know about Us

Join Bahirbanga Movement

 

Prangshu's Efforts in Establishing the Bahirbanga Identity

(Upto Date)

 Bahirbanga Utsavs

Sisir Kumar Das Memorial Lecture

Publication of Bahirbanga Literature

Bahirbanga Archive

Bahirbanga Founadation Trust

www.bahirbanga.com

<www.bengalirights.com>

Khabor 

(Bangla News Bulletin)

 

Webletter 

(English News Bulletine)

Promotion of Bahirbanga Culture and Literature in Book Fairs, Seminars, Utsavs etc., organized by other organizations

 

 

   

The First Sun of the Bengalis

Bengalis of Delhi creates their own ritual to observe Poyla Baisakh

The Bengalis of Delhi has developed a cultural ritual of their own for the last 13 years. Every year this popular ritual of Poyla Baisakh  attracts  thousands of Bengalis living in various parts of the Indian capital where 10 million people reside.

Before the dawn of every Poyla Baisakh (the first day of the Bengali New Year), Bengalis in thousands converge on the plain land of a hillock, to welcome the first Sun of the year. This hilltop, at Chittaranjan Park, New Delhi, with three temples of Kali, Shiva and Vishnu sets the perfect background to welcome the Sun, the symbol of energy and newness, by chanting Vedic hymns.

"When, on the eve of the Fifteenth century of the Bengali calendar, I was planning for a happening to welcome our New Year, as  is done in Europe at the strike of the midnight, I could come upon the Vedic tradition of welcoming the rising Sun to bless one's day's doings", says PRANGSHU's Arun Chakraborty, who conceived the ritual independently.

When he took his plan to the authorities of the Temple society to cooperate, they offered all kinds of help including printing of invitation leaflets overnight and distributing them by the next evening.

Thus the First Sun of the Fifteenth century of the Bengali calendar was welcome by about hundred odd persons, as to popularize the newly conceived ritual one had many miles to go. By the next year the happening became more organized. The Head priest of the Mandir took to chanting, sweet boxes were sponsored by local businessmen, number of people went on increasing, makimg this year's event lawn-full, with thousands of Bengalis of different ages.

"It's obvious, I didn't plan it to be religious. But it has turned out to be so. Naturally", quips Arun Chakraborty, the pioneer of this ritual. But he is the happiest man around every year. He reaches the venue at the earliest, around 4.30 in the morning. And waits for the first person to enter the ground who would receive the arghapatra (a small foil wrapped bowl filled with holy water with sprinkle of teel (sesamum seeds) and a red rose petal. The person would proceed and stand before one of the several arghadan patras (temporary brick built squares) laying in a row.

More people will follow then. From one to two, two to hundred, and hundreds to thousands. The Q behind the patras  spreads its tail till it touches the odd mould near the boundary wall, when the convergence swells to the temple side filling the stairs to the temples.

When  the eastern horizon slightly brush-wash the gray sky with orange , other parts of the Universe are then filled with the song, Aguner Paroshmoni Chonao Praney  followed by  hailing of the Sun, in Bengali, by the learned priest of the Temples. The assemblage of the priests join him by chanting Vedic mantras. The chanting fades out as soon as the .lower circumference of the Sun touches the horizon. The convergence in Qs then respectfully place the bowls of arghas  in the Arghadan Patras, and  bustling of "Shubho Nababarsha" starts flowing around.

"Wonderful!", exclaimed Prof. Tetsuyo Nakatani from Japan who witnessed this poyla baisakher anusthan in 1408 BS. "This does not seem to be very recent rituals. looks to be age old", said the professor while winding his handy cam.

"I would prefer to mark it as Bangalir Pratham Surya",  said Dr. Abhijit Mitra, a professor of IIT, Guwahati, who witnessed the anusthan this year (1413 BS). Dr. Mitra, also an editor of 'Kaurab Online', said, "We would upload this experience and we feel, this ritual, may be 13 years old now, should spread all over the world of Bengalis."

This happening proves one thing -- being far from one's homeland, disconnected and far drawn, the social and cultural compulsions genuinely gives birth of one's own community rituals. The Bengalis of Delhi have thus witnessed the birth of a ritual, which within a very short time might have, of course wrongly, the tag of an ageless tradition.

'Dohar' Brings Barak Valley to Delhi

Barak Valley, a Motherland of Bengal's Folklore

The Bangla Band, DOHAR, is now a big name in the field of country's "other" band circuit. Delhi's Bengalis had them in a different get up on 21 April last. In their latest program, Bangla Amar : Utsave Parvane,  they looked rural and performed in absolute rusticity. Brilliantly.

DOHAR is  from Barak valley in Assam, where the Bengalis are  the predominant linguistic group. Barak valley has a very rich tradition of Bengali folk literature and culture. DOHAR  embraced the Bangla folk music from this region to improvise them into today's popular mode. But in Delhi they performed on the day a different stroke.

They were different from their known profile with Kalikaprasad, Amit, Rajeev, Bablu, and Jayshankar. The Band, which cut their first Album, Bandhur Deshe, containing  folk songs  from Barak Valley with the fusion of modern instruments was absent in this performance.

"It's a new endeavor. ", said Kalikaprasad, who led the show. They received inspiration to conceive this presentation  from the format devised earlier by  Mukundadas  Bhattacharya, the most respected folklorist of the region, he informed.

The Band had a dozen performer-singer with three instrument players. Their choreography depicted the rural ambience of their valley near perfection. The songs were chosen on  six seasons and twelve months of the Bengali calendar. The religious relationship between the communities in the villages took to the forgotten height of the rural culture. Although, starting from the first day of the month, the 'new endeavor' had to reach late autumn (Laxmi Puja) to show their real worth, the audience had no hurry to pull them off from their seats. Even  Sharmila Tagore, the celebrated actress, who was specially invited to the show, stayed till the end to join the audience to applaud the performers exceedingly. 

BIKALPA, a cultural group from Delhi led by stage artiste Averee Choure organized the show for the Gas Authority of India (GAIL) at the Chinmoy Mission Auditorium.