The Bengalis of Delhi has
developed a cultural ritual of their own for the last 13 years. Every year
this popular ritual of Poyla Baisakh attracts thousands of
Bengalis living in various parts of the Indian capital where 10 million
people reside.
Before the dawn of every
Poyla Baisakh (the first day of the Bengali New Year), Bengalis in
thousands converge on the plain land of a hillock, to welcome the first Sun
of the year. This hilltop, at Chittaranjan Park, New Delhi, with three
temples of Kali, Shiva and Vishnu sets the perfect background to welcome the
Sun, the symbol of energy and newness, by chanting Vedic hymns.
"When, on the eve of the
Fifteenth century of the Bengali calendar, I was planning for a happening to
welcome our New Year, as is done in Europe at the strike of the midnight, I
could come upon the Vedic tradition of welcoming the rising Sun to bless
one's day's doings", says PRANGSHU's Arun Chakraborty, who conceived the
ritual independently.
When he took his plan to the
authorities of the Temple society to cooperate, they offered all kinds of
help including printing of invitation leaflets overnight and distributing them by the
next evening.
Thus the First Sun of the
Fifteenth century of the Bengali calendar was welcome by about hundred odd
persons, as to popularize the newly conceived ritual one had many miles to
go. By the next year the happening became more organized. The Head priest of
the Mandir took to chanting, sweet boxes were sponsored by local
businessmen, number of people went on increasing, makimg this year's event
lawn-full, with thousands of Bengalis of different ages.
"It's obvious, I didn't plan
it to be religious. But it has turned out to be so. Naturally", quips Arun
Chakraborty, the pioneer of this ritual. But he is the happiest man around
every year. He reaches the venue at the earliest, around 4.30 in the
morning. And waits for the first person to enter the ground who would
receive the arghapatra (a small foil wrapped bowl filled with holy
water with sprinkle of teel (sesamum seeds) and a red rose
petal. The person would proceed and stand before one of the several
arghadan patras (temporary brick built
squares) laying in a row.
More people will follow then.
From one to two, two to hundred, and hundreds to thousands. The Q behind the
patras spreads its tail till it touches the odd mould near the
boundary wall, when the convergence swells to the temple side filling the
stairs to the temples.
When the eastern horizon
slightly brush-wash the gray sky with orange , other parts of the Universe
are then filled with the song, Aguner Paroshmoni Chonao Praney
followed by hailing of the Sun, in Bengali, by the learned priest of the
Temples. The assemblage of the priests join him by chanting Vedic
mantras. The chanting fades out as soon as the .lower circumference of
the Sun touches the horizon. The convergence in Qs then respectfully place
the bowls of arghas in the Arghadan Patras, and bustling of
"Shubho Nababarsha" starts flowing around.
"Wonderful!", exclaimed Prof.
Tetsuyo Nakatani from Japan who witnessed this poyla baisakher anusthan
in 1408 BS. "This does not seem to be very recent rituals. looks to be
age old", said the professor while winding his handy cam.
"I would prefer to mark it as
Bangalir Pratham Surya", said Dr. Abhijit Mitra, a professor of IIT,
Guwahati, who witnessed the anusthan this year (1413 BS). Dr.
Mitra, also an editor of 'Kaurab Online', said, "We would upload this
experience and we feel, this ritual, may be 13 years old now, should spread
all over the world of Bengalis."
This happening proves one
thing -- being far from one's homeland, disconnected and far drawn, the
social and cultural compulsions genuinely gives birth of one's own community
rituals. The Bengalis of Delhi have thus witnessed the birth of a ritual,
which within a very short time might have, of course wrongly, the tag of an ageless tradition.
|
'Dohar' Brings Barak Valley to Delhi |
|
Barak Valley, a
Motherland of Bengal's Folklore |
The Bangla Band, DOHAR, is now a
big name in the field of country's "other" band circuit. Delhi's Bengalis
had them in a different get up on 21 April last. In their latest program,
Bangla Amar : Utsave Parvane, they looked rural and performed in
absolute rusticity. Brilliantly.
DOHAR is from Barak valley
in Assam, where the Bengalis are the predominant linguistic group.
Barak valley has a very rich tradition of Bengali folk literature and culture. DOHAR
embraced the Bangla folk music from this region to improvise them into
today's popular mode. But in Delhi they performed on the day a different
stroke.
They were different from their
known profile with Kalikaprasad, Amit, Rajeev, Bablu, and Jayshankar. The
Band, which cut their first Album, Bandhur Deshe, containing
folk songs from Barak Valley with the fusion of modern instruments was
absent in this performance.
"It's a new endeavor. ", said
Kalikaprasad, who led the show. They received inspiration to conceive
this presentation from the format devised earlier by Mukundadas
Bhattacharya, the most respected folklorist of the region, he informed.
The Band had a dozen
performer-singer with three instrument players. Their choreography depicted
the rural ambience of their valley near perfection. The songs were chosen on
six seasons and twelve months of the Bengali calendar. The religious
relationship between the communities in the villages took to the forgotten
height of the rural culture. Although, starting from the first day of the
month, the 'new endeavor' had to reach late autumn (Laxmi Puja) to show
their real worth, the audience had no hurry to pull them off from their
seats. Even Sharmila Tagore, the celebrated actress, who was specially invited to the show,
stayed till the end to join the audience to applaud the performers
exceedingly.
BIKALPA, a cultural group from
Delhi led by stage artiste Averee Choure organized the show for the Gas
Authority of India (GAIL) at the Chinmoy Mission Auditorium.